1. Pocket-Sized Literature
Perhaps “pocket-sized” is a bit of an understatement for
this fine-press book. Measuring 1/2 inch by 5/16 inch, this tiny tome relates
the fictional advice of King Arthur to a person choosing to embark on a quest.
Complete with purple leather covers, three illustrations, and handmade paper,
this book comes with all the trappings of its full-sized counterparts; it is
even bound just as a normal book would be. Entitled Grail Field Notes, this miniature volume was printed in 1995.
2. Mark Twain’s Signature
Hidden among a nondescript set of Mark Twain’s writings is
this autographed edition of The Innocents
Abroad, a travel book originally published in 1869 chronicling the author’s
journey through Europe and the Holy Land. Perhaps best known for his novel The Adventures of Tom Sawyer and its
sequel, Adventures of Huckleberry Finn,
Twain is one of America’s most beloved novelists; the author William Faulkner
even declared him to be “the father of American literature.” Although he is
better known by his pen name, Twain’s given name was Samuel Clemens; both
signatures can be found in this edition.
3. The Manuscript of Sir Arthur Conan Doyle’s Autobiography
Best known for his tales of the fictional detective Sherlock
Holmes, Sir Arthur Conan Doyle was a prolific and well-loved author in both his
native Scotland and around the world. This is the manuscript of his
autobiography Memories and Adventures
that was published in 1924. Written in the author’s own hand, this draft
contains numerous corrections and revisions, giving us a sense for the process
and challenges of writing an autobiography.
4. Illuminated Manuscripts
While illuminated manuscripts are typically defined as those
that have been decorated with gold or silver, this term may also refer to those
that have simply been decorated or painted. Special Collections is home to two
illuminated manuscripts, one from medieval France and another from early Persia.
This first manuscript is a page from an edition of the Vulgate
Bible dated 1230 AD. The Vulgate was the
definitive Latin translation that was officially disseminated by the Roman
Catholic Church between 400 and 1530 AD. The edition this page was taken from
was created in France during the reign of St. Louis IX, one of France’s most
beloved kings and the only one to be canonized. Manuscripts such as this one
were usually prepared using a sharp stick to make light grid marks before
filling the page with script, illustrations and flourishes. The grid lines are
still evident on this manuscript, giving us a sense, not only for the finished
product, but also the work that went into its creation. The colorful flourishes
that accompany the text have a decorative as well as spiritual purpose. The use
of color in manuscripts from this time was meant, not only to bring its text
and images to life, but also to instill the glory of God into the work.
Very little is known about the Persian manuscript from our collection, however we don’t need to know much in order to appreciate the beauty of its text and embellishments. Like illuminated manuscripts from Europe, the flourishes that adorned the pages of Persian manuscripts were more than just decorative. These colorful decorations were meant to balance the text, bringing harmony to the work.
These fragments date from approximately 2nd
century A.D. Their subjects are surprisingly ordinary: letters, tax receipts,
petitions, land leases, even some fragments from Euclid. Papyrus was made from
a plant of the same name that was once abundant in Egypt. It served as the main
writing material for many centuries but was eventually replaced by parchment, which
provided a smoother writing surface and was more durable.
You can come visit these treasures
Monday-Friday, 9:30-12:00 and 1:00-4:30 in the Mount Holyoke College Archives
and Special Collections.






